The performer turned to us with a request to create content for the tour in support of his new album. The original concept was to use holographic ventilators or a projection, however as we talked that over we decided it would be unprofitable, as it might entail high costs and some risks. Instead, we suggested turning the stage into a 3D space, where the performer is scanned in real time. In every city during the tour, there worked a VJ, who created unique content for each show. For example, Saint Petersburg became a flooded sea of blood, which echoed the title of the tour album OLDBLOOD.